Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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simon luttichuys
A 'Roemer' with white wine, a partially peeled lemon, cherries and other fruit on a silver plate with a rose and grapes on a stone ledge

ID: 74521

simon luttichuys A 'Roemer' with white wine, a partially peeled lemon, cherries and other fruit on a silver plate with a rose and grapes on a stone ledge
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simon luttichuys A 'Roemer' with white wine, a partially peeled lemon, cherries and other fruit on a silver plate with a rose and grapes on a stone ledge


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simon luttichuys

ca 1630-1640   Related Paintings of simon luttichuys :. | with a Peeled Lemon in a Roemer | Still life with a silver beaker | Vanitas still life with skull, books, prints and paintings | Vanitas still life with skull | tillskriven |
Related Artists:
Giovanni Fattori
Italian Realist Painter , 1825-1908 was an Italian artist, one of the leaders of the group known as the Macchiaioli. He was initially a painter of historical themes and military subjects. In his middle years, inspired by the Barbizon school, he became one of the leading Italian plein-airists, painting landscapes, rural scenes, and scenes of military life. After 1884, he devoted much energy to etching.
Frank Walton
Frank Walton. RI, RBA (1840 - 1888)
FONTANA, Lavinia
Italian Painter, 1552-1614 Daughter of Prospero Fontana. She was trained by her father and followed his Mannerist style. Her first recorded works, which date from 1575, were small paintings for private devotion, such as the Holy Family (Dresden, Gemeldegal.). By 1577 she had become established as a portrait painter in Bologna. Works of this date include the Self-portrait at the Harpsichord (Rome, Gal. Accad. S Luca) and the portrait of Senator Orsini (Bordeaux, Mus. B.-A.). Her portrait style reflects the formality of central Italian models as well as the naturalistic tendencies of the north Italian tradition. The elegantly costumed Orsini is shown seated at a table, with a suite of rooms opening behind him, a setting recalling such Florentine portraits of the 1530s as Agnolo Bronzino's Bartolommeo Panciatichi (Florence, Uffizi). Lavinia used a similar setting for other portraits, including the Gozzadini Family (1584; Bologna, Pin. N.). Female sitters are also shown in elaborate dress, with particular attention paid to details of embroidery and jewels, and they are often accompanied by small dogs






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